सेरोफेरो

बहिनीले नसोधिदिए हुन्थ्यो झै लाग्छ । तर ११ वर्षे मेरी बहिनी स्वास्तीकाको मन के मान्थ्यो ? उ प्राय मलाई यहि प्रश्न दोहो¥याइ रहन्छे, ‘बा कहिले आउनुहुन्छ ?’ खै के थाहा ? उनी त बेपत्ता पारिएका छन् । उनी आउने दिन यदि मलाई थाहा भएको भए, मैले भित्तेपात्रोको कुनै मितीमा कलमले ठूलो गोलो चिन्ह लगाएर राख्थेँ होला । यहि प्रश्न सोध्ने साथीहरूलाई ठ्याक्क मिति सुनाउँथे होला । मेरा आफन्त, चिनेजानेका सबैलाई गर्वका साथ भन्थेँ होला, मेरा बा यति दिन, हप्ता, महिना, बर्ष पछि घर आउँदैछन भनेर । तर मसँग कुनै बार, गते, महिना र वर्ष छैनन् भन्नका लागि । कसैले प्रश्न सोधिहाले चुपचाप आँशु बाहेक मसँग दिने कुनै उत्तर पनि हुँदैनन् ।

This is a video of audition of Grandmother, for KMS drama.This video is recorded by small camera of sony.It is rough video .The drama of grandmother will be recorded with in two weeks.

By Tim Crook Please note that this is not an academic essay but an article written during the research for the book 'Radio Drama-Theory and Practice'. The purpose of this article is to express 'journalistic' enthusiasm for research into audio/radio drama. None of the contents of this article are included in the book published by Routledge which can be ordered from the following sites: www.routledge.com  |  www.amazon.com  |  www.amazon.co.uk "There's no romance in television: it's just the Wal-Mart of the mind. Radio is infinitely sexier"  -  Garrison Keillor, An American Radio Romance. Radio drama has probably been the most unappreciated and understated literary form of the twentieth century and I hope the neglect will not continue into the twenty first century. Academics, media theorists and writers in most cultures have in the main failed to realise that the medium of sound has provided an environment in which a new storytelling genre ...